On This Day in March - Poster and Lobby Cards

 The Amazing Quest of Ernest Bliss

(The Amazing Adventure/Romance and Riches - 6th March, 1937:

Bringing Up Baby - 18th March, 1938:

Mr. Blandings Builds His Dream House - 25th March, 1948:

Bringing Up Baby (1938)

   "Actor Grant...more interested in an intercostal clavicle for his nearly reconstructed Brontosaurus than he is in bony, scatterbrained Miss Hepburn."

With Katharine Hepburn.

Bringing Up Baby - Review is taken from 'The Films of Cary Grant' by Donald Deschner (1973):

"When she was college girl ten years ago, red-headed, Melpomene-mouthed Katharine Hepburn, in a trailing white nightgown cross-hatched with gold ribbon, regaled Bryn Mawr as Pandora in The Woman in the Moon.  And since then most of Actress Hepburn's public appearances have been for the catch-in-the-throat cinema, playing alternately great ladies and emotional starvelings of brittle bravado.  For Bringing Up Baby she plumps her broad A in the midst of a frantically farcical plot involving Actor Cary Grant, a terrier, a leopard, a Brontosaurus skeleton and a crotchety collection of Connecticut quidnuncs, proves she can be as amusingly skittery a comedienne as the best of them.  

Actor Grant is an earnest, bespectacled paleontologist who is more interested in an intercostal clavicle for his nearly reconstructed Brontosaurus than he is in bony, scatterbrained Miss Hepburn.  Miss Hepburn has a pet leopard named Baby, and an aunt with $1,000,000 waiting for the right museum.  On the trail of the million, Actor Grant crosses paths with Actress Hepburn and Baby, loses the scent in the tangled Connecticut wildwood.  In the jail of a town very like arty Westport, the trails collide.  Most surprising scene:  Actress Hepburn, dropping her broad A for a nasal Broadway accent, knocking Town Constable Walter Catlett and Jailmate Grant completely off balance with: "Hey, flatfoot!  I'm gonna unbutton my puss and shoot the woiks.  An' I wouldn' be squealin' if he hadn' a give me the runaround for another twist."  

Under the deft, directorial hand of Howard Hawks, Bringing Up Baby comes off second only to last year's whimsical high spot, The Awful Truth, but its gaily inconsequent situations cannot match the fuselike fatality of that extraordinary picture.  Bringing Up Baby's slapstick is irrational, rough-and-tumble, undignified, obviously devised with the idea that the cinema audience will enjoy (as it does) seeing stagy Actress Hepburn get a proper mussing up." 

- Time

New Artwork by Rebekah Hawley at Studio36
Number 30 -Bringing Up Baby (Lobby Card Style)

Part Of

For more, see also:

On This Day, March 18th 2021

Quote From Today, March 18th 2022  

"Light, Camera...Action!" - The Directors - Part 1

When Cary Grant received his Academy Award for his unique mastery of the art of screen acting, in 1970, he thanked all those who had assisted in his career.

He thanked by name, six directors, Howard Hawks, Alfred Hitchcock, Leo McCarey, George Stevens, George Cukor and Stanley Donen.

So, that made me think about which directors he worked with and how often?

Howard Hawks:

30th May 1896 - 26th December 1977

Hawks and Grant worked on a total of six films together:

Bringing Up Baby (1938) with Katharine Hepburn

Only Angels Have Wings (1939) with Rita Haywood

His Girl Friday (1940) with Rosalind Russell

I Was a Male War Bride (1949) with Ann Sheridan

Monkey Business (1952)

Hawks on Grant - "He was so far the best that there isn't anybody to be compared to him."

Howard Hawks directed many films include those from the silent era, but as well as his first three films with Cary Grant he is probably most remembered for Scarface (1932), Twentieth Century (1934), Sergeant York (1941), To Have and Have Not (1944), The Big Sleep (1946), Gentlemen Prefer Blondes (1953) and Rio Bravo (1959).