When You're In Love (1937)

   "...Director Capra established Clark Gable and Gary Cooper as comedians, Director Riskin herein does the same thing for Cary Grant."

With Grace Moore.

When You're In Love - Review is taken from 'The Films of Cary Grant' by Donald Deschner (1973):

"The picture marks the debut of Robert Riskin, long famed as the screenwriting teammate of  Director Frank Capra, as a director as well as author.  Following the pattern of It Happened One Night and Mr Deeds Goes to Town in which Director Capra established Clark Gable and Gary Cooper as comedians, Director Riskin herein does the same thing for Cary Grant." 

- Time Magazine

New Artwork by Rebekah Hawley at Studio36 -
Number 25 - When You're In Love (Lobby Card Style)

Part Of

For more, see also:

On This Day, February 27th 2021

Quote From Today, February 27th 2022

The Woman Accused (1933)

   "For the finish, the hero, as done capably by Cary Grant, wields a blacksnake whip on the gangster..."

With Nancy Carroll.

The Woman Accused - Review is taken from 'The Films of Cary Grant' by Donald Deschner (1973):

"Despite two of the silliest exhibitions of melodramatics, the exploitation campaign and Liberty mag tieup behind Woman Accused should aid materially in putting it across to average returns.  To counterbalance the pair of moronic scenes is a wow finish that had the audience cheering. 

Billed as the picture written by ten of the world's greatest authors, it is not conceivable that the literary names concerned could have permitted, let alone have written, the aforementioned offending sequences.  

First sequence that went smello was the deep-dyed villainy of Louis Calhern in an effort to build up a logical reason for the girl, Nancy Carroll, to kill him.  Second was the mock-trial during a "cruise to nowhere" which was carried to silly extremes.  Both can be touched up by judicious cutting.  

Unfortunate that Calhern and John Halliday have been handed such parts, that no amount of good trouping can surmount the amount of ham written into each line.  

For the finish, the hero, as done capably by Cary Grant, wields a blacksnake whip on the gangster, key witness against the girl, giving film fans probably their first real satisfaction at the manner in which a mobster should be handled.  After a perfect buildup as a menace, Jack La Rue brings audience applause when he turns into jelly after the larruping administered by Grant.  

Some novel directorial angles in the "Strange Interlude" treatment of the accused woman's fear and terror, and the atmosphere of the pleasure cruise.  Nancy Carroll's work is well-done and sincere and Norma Mitchell, as her maid, gives a sweet performance.  Latter's work here is of the quality that should win her a good play from the casting directors.  Such people as Irving Pichel, Frank Sheridan, Harry Holman and Donald Stuart are in for short, but capably done, bits." 

- Daily Variety

New Artwork by Rebekah Hawley at Studio36 -
Number 9 - The Woman Accused (Lobby Card Style)

Part Of

For more, see also:

The Woman Accused, On This Day, 17th February 2022

The Woman Accused, On This Day, 17th February 2021

Gunga Din (1939)

   "Hollywood, however, even when it was not deliberately repeating itself, repeated itself unconsciously.  Gunga Din is an example of this unconscious repetition."

With Victor McLaglen.

Gunga Din - Review is taken from 'The Films of Cary Grant' by Donald Deschner (1973):

"Gunga Din, the most expensive picture in the history of RKO, which was last week on the point of emerging from a six-year bankruptcy, unfolds a jolly story about high jinks on India's frontier.  Poor old Gunga Din has small part of the proceedings.  In the first part of the picture he wobbles about carrying a goatskin water bag.  In the last part, he inspires a scared-looking Rudyard Kipling to produce a commemorative poem.  The rest of the time Gunga Din's doings are eclipsed by those of the three agile young sergeants - Cary Grant, Victor McLaglen and Douglas Fairbanks, Jr.  The story of Gunga Din appears to be a sort of Anglo-Indian Three Musketeers.  Funny, spectacular, and exciting.  Typical sequence: battle between a regiment of Scots Highlanders and Thug cavalry, filmed on the slopes of Mt. Whitney last summer, with a cast of 900 extras.  

As an individual product of the cinema industry, there is practically nothing to be said against Gunga Din.  First-class entertainment, it will neither corrupt the morals of minors nor affront the intelligence of their seniors.  But unfortunately, Gunga Din is not an isolated example of the cinema industry's majestic mass product.  It is a symbol of Hollywood's current trend.  As such it is as deplorable as it is enlightening.  

Hollywood, however, even when it was not deliberately repeating itself, repeated itself unconsciously.  Gunga Din is an example of this unconscious repetition.  Whatever there is to be said about the minor matter of barrack-room life in India has been more than sufficiently said by the cinema many times, most recently in Lives of a Bengal Lancer, Charge of the Light Brigade and Drums.  

Moving pictures are a vigorous entertainment medium.  There has probably never been a moment in the world's history when more exciting things were going on than in this year of 1939.  That Hollywood can supply no better salute to 1939 than a $2,000,000 rehash, however expert, of Rudyard Kipling and brown Indians in bed sheets, is a sad reflection on its state of mind." 

- Time

New Artwork by Rebekah Hawley at Studio36 -
Number 32 - Gunga Din (Lobby Card Style)

Part Of

For more, see also:

Gunga Din, On This Day, 17th February 2022

Gunga Din, On This Day, 17th February 2021

Wings in the Dark (1935)

 "Cary Grant gives a splendid performance as the tragic young flyer..."

With Myrna Loy.

Wings in the Dark - Review is taken from 'The Films of Cary Grant' by Donald Deschner (1973):

"After a flying start, literally and figuratively, this film sags in the middle, and then closes on another high note, the net result being a nice little picture for the family trade that, with the Grant-Loy drawing power, will do better than average at the box office.

Cary Grant gives a splendid performance as the tragic young flyer, and Myrna Loy does well with a role not entirely her sort.

Roscoe Karns has a fat part as the girl flier's manager and gets all the laughs possible from it. A delightful surprise is an outstanding bit of work by Hobart Cavanaugh, playing, with a comic Scotch burr, the mechanic pal of Grant.

Dean Jagger, Russell Hopton, and Matt McHugh stand out in bits, and the cast has been well handled by director James Flood. Earl Robinson's handling of the air stuff rates special attention and the photography, both aerial and studio is first rate." 

- The Hollywood Reporter

New Artwork by Rebekah Hawley at Studio36 -
Number 19 - Wings in the Dark (Lobby Card Style)

Part Of

For more, see also:

Wings in the Dark, On This Day, 1st February 2022

Wings in the Dark, On This Day, 1st February 2021

Quote From Today... She Done Him Wrong (1933)

"I'm sorry you think more of your diamonds than you do of your soul."

With Mae West.

She Done Him Wrong was Cary Grant's 8th full-length feature film.

Captain Cummings: I'm sorry you think more of your diamonds than you do of your soul.

Lady Lou: I'm sorry you think more of my soul than you do of my diamonds.

New Artwork by Rebekah Hawley at Studio36 -
Number 8 - She Done Him Wrong (Lobby Card Style)

Part of

Quote From Today... Room For One More (1952)

"I had to draw it from memory."

Room For One More was Cary Grant's 57th full-length feature film.

Anna Perrott Rose: What's that supposed to be?

George 'Poppy' Rose: A woman.

Anna Perrott Rose: Not a very good likeness...

George 'Poppy' Rose: I had to draw it from memory.

New Artwork by Rebekah Hawley at Studio36 -
Number 57 - Room For One More (Lobby Card Style)

Part Of

Quote From Today... His Girl Friday (1940)

"If you had been a gentleman, you would have forgotten all about it. But not you!"

With Rosalind Russell.

His Girl Friday was Cary Grant's 35th full length feature film.

Hildy Johnson: I suppose I proposed to you?

Walter Burns: Well, you practically did, making goo-goo eyes at me for two years until I broke down.

[impersonates Hildy, flutters his eyelashes]

Walter Burns: "Oh, Walter." And I still claim I was tight the night I proposed to you. If you had been a gentleman, you would have forgotten all about it. But not you!

Hildy Johnson: [hurls her purse at him] Why, you! !...

Walter Burns: [ducks and her purse barely misses him] You're losing your eye. You used to be able to pitch better than that.

New Artwork by Rebekah Hawley at Studio36 -
Number 35 - His Girl Friday (Lobby Card Style)

Part Of

Quote From Today... The Philadelphia Story (1941)

  "When I was trying to stop drinking, I read anything."

With Katharine Hepburn and James Stewart.

The Philadelphia Story was Cary Grant's 38th full length feature film.

Macaulay Connor: What's this? Is it my book?

C. K. Dexter Haven: Yes.

Macaulay Connor: C. K. Dexter Haven, you have unsuspected depth!

C. K. Dexter Haven: Thanks, old chap.

Macaulay Connor: But have you read it?

C. K. Dexter Haven: When I was trying to stop drinking, I read anything.

Macaulay Connor: And did you stop drinking?

C. K. Dexter Haven: Yes. Your book didn't do it, though.

New Artwork by Rebekah Hawley at Studio36 -
Number38 - The Philadelphia Story (Lobby Card Style)

Part Of

Quote From Today... Enter Madame! (1935)

 'I think I'm the luckiest man in the world."

With Elissa Landi.

Enter Madame! was Cary Grant's 18th full-length feature film.

Mr. Farnum: Think you can take it?

Gerald Fitzgerald: What do you mean?

Mr. Farnum: I mean, have you any idea what it's like being married to an opera singer?

Gerald Fitzgerald: Sure. I think I'm the luckiest man in the world.

Mr. Farnum: You'll have to be.

Lisa Della Robbia: Farnum, what a horrible thing to say.

Mr. Farnum: I'm not talking against you, madame. It's your job.

New Artwork by Rebekah Hawley at Studio36
Number 18 - Enter Madame (Lobby Card Style)

Part of

Quote From Today... Sylvia Scarlett (1936)

"...nobody's enemy but me own."

With Katharine Hepburn.

Sylvia Scarlett was Cary Grant's 21st full-length feature film.

Jimmy Monkley: Little friend of all the world, nobody's enemy but me own.

Sylvia Scarlett: Yeah, I can tell that by the look of you.

New Artwork by Rebekah Hawley at Studio36
Number 21 - Sylvia Scarlett (Lobby Card Style)

Part of

Quote From Today... Destination Tokyo (1943)

"How do you think the rest of us feel?"

On deck!

Destination Tokyo was Cary Grant's 44th full-length feature film.

Reserve Officer Raymond: [during a depth charge attack] Captain, I'm no good.

Capt. Cassidy: Why's that?

Reserve Officer Raymond: I'm scared stiff.

Capt. Cassidy: How do you think the rest of us feel?

Reserve Officer Raymond: You're not scared. I've looked at your faces.

Capt. Cassidy: I've looked at yours, too. It's the same as the others.

Reserve Officer Raymond: You're scared?

Capt. Cassidy: I'll say I am. And so is everybody else.

Quote From Today.... Madame Butterfly (1932)

"Oh, I guess she'd pass in a crowd"

With Sylvia Sidney.full-length

Madame Butterfly was Cary Grant's 7th full length feature film.

Cho-Cho San: [Cho-Cho San has found Adelaide's photo in Pinkerton's trunk. She brings it to him with the pipe cleaners] I found them like this

Lieutenant B.F. Pinkerton: Thank you very much, Cho-Cho San

[he puts the photo aside]

Cho-Cho San: She very beautiful, that American lady

Lieutenant B.F. Pinkerton: Oh, I guess she'd pass in a crowd

Cho-Cho San: She some lady you know very well?

Lieutenant B.F. Pinkerton: Sure, sure. We've known each other for years

Cho-Cho San: She love you very much, perhaps?

Lieutenant B.F. Pinkerton: No, of course not

Cho-Cho San: [she picks up the photo and points to the inscription that reads 'To Bin with all my love always'] What this writing say?

Lieutenant B.F. Pinkerton: Oh, that. That just says 'lots of luck'

Cho-Cho San: Oh. But maybe you very much in love with her?

Lieutenant B.F. Pinkerton: How can I have room in my heart for anyone but Madame Butterfly?

Quote From Today... Every Girl Should be Married (1948)

"How in the world did Eve ever get Adam..."

With Franchot Tone.

Every Girl Should be Married was Cary Grant's 53rd full length feature film.

Dr. Madison Brown: How in the world did Eve ever get Adam when she had no other woman to help her with the subtle little touches?

Quote From Today... Father Goose (1964)

"Just repeat three words. Alright. Elephant."

Father Goose was Cary Grant's 71st and penultimate full-length feature film.

Walter Eckland: [Jenny, who won't talk, has just given him a bottle of liquor. She doesn't reply when he says "Thank you." He holds up a whistle] See this whistle?

[Jenny nods "yes"]

Walter Eckland: Would you like to have it?

[She nods "yes" again]

Walter Eckland: OK. Now, all you have to do is repeat three simple words after me. Is that a deal?

[She nods "yes"]

Walter Eckland: Just repeat three words. Alright. Elephant.

Jenny: [Looks from Eckland to the whistle and back. Seems to consider for a moment] Elephant.

Walter Eckland: [He smiles, slightly] Rhinoceros.

Jenny: [More quickly this time] Rhinoceros.

Walter Eckland: Wrong.

Jenny: Why?

Walter Eckland: No, not "why," "wrong." Wrong is the third word. You lose.

Quote From Today... The Grass is Greener (1960)

  

"Oh. You mean you prefer to be unhappy

 and abnormal."

With Robert Mitchum

The Grass is Greener was Cary Grant's 68th full-length feature film.

Trevor Sellers, the Butler: I wonder if I might have a word with you, Milord.

Victor Rhyall, Earl: So do I, so we're both probably right. Now what's the matter, Sellers?

Trevor Sellers, the Butler: As I told you, Milord, I haven't any work to do.

Victor Rhyall, Earl: What about your novel, why aren't you working at that?

Trevor Sellers, the Butler: I'm stuck badly. Nearly tore the whole thing up last night.

Victor Rhyall, Earl: Oh, now, now, you mustn't do that! What's the trouble?

Trevor Sellers, the Butler: Almost certainly the basic trouble is myself. I'm fundamentally happy and contented. That's bad enough, of course. But on top of that, I'm normal. And that's fatal.

Victor Rhyall, Earl: Oh. You mean you prefer to be unhappy and abnormal.

Trevor Sellers, the Butler: Of course! You see, I want to be a success, and to be a success, one must at least start off by being modern. And like yourself, Milord, I'm not. It means I have no feelings of insecurity or frustration. No despair.

Victor Rhyall, Earl: And that's essential?

Trevor Sellers, the Butler: The first essential! I feel perfectly content, really rather blameless, and hardly resent anything at all!

Victor Rhyall, Earl: Well, you are in a pickle, aren't you? Well now, you must have known all that when you gave up teaching to become a writer! You answered my advertisement for a butler, and when I asked you what your qualifications were you said you had a degree in science. Now in spite of such a ludicrous recommendation I engaged you, partly because you told me you wanted to write a novel. Luckily you turned out very well. Now, why don't you go back to your typewriter and take another crack at this, Sellers, might do you good. You might feel better now!

Quote From Today... Alice in Wonderland (1933)

   

"...because he taught us,..."

With William Austin and Charlotte Henry.

Alice in Wonderland was Cary Grant's 13th full-length feature film.

Alice: Why did you call him Tortoise, if he wasn’t one?

Mock Turtle: We called him Tortoise because he taught us, really you are very dull!”

Quote From Today... Kiss Them For Me (1957)

"True love almost always fades, but money stays green forever."

With Suzy Parker

Kiss Them For Me was Cary Grant's 63rd full length feature film.

Gwinneth Livingston: And that, Mr. Crewson, is why I'm engaged to Mr. Turnbill. He's alive now, and he'll still be alive at the end of the war. He's filthy rich now, and he'll be even filthier rich then.

Cmdr. Andy Crewson: That's the stuff. True love almost always fades, but money stays green forever.

Quote From Today... Charade (1963)

"...I didn't have the sense in those days to be sensible."

With Audrey Hepburn.

Charade was Cary Grant's 70th full-length feature film.

Adam Canfield: All right, get set for the story of my life.

Reggie Lampert: Fiction or non-fiction?

Adam Canfield: Eh, why don't you shut up?

Reggie Lampert: Well!

Adam Canfield: Are you going to listen?

Reggie Lampert: Go on...

Adam Canfield: Now, when I was a young man, my father expected me to go into his business. Umbrella frames. That's what he made. A sensible business, I suppose, but I didn't have the sense in those days to be sensible.

Reggie Lampert: [looking skeptical] I suppose all this is leading somewhere...

Adam Canfield: Well, it led me away from umbrella frames, for one thing. But that left me without any honest means of support.

Reggie Lampert: What do you mean?

Adam Canfield: Well, in this highly competitive world, when a man has no profession, there isn't much choice, so I began looking for people who had more money than they needed... including some, they'd barely miss.

Reggie Lampert: You mean you're a thief?

Adam Canfield: Well, that's not exactly the term I'd have chosen, but it sort of captures the spirit of the thing.

Reggie Lampert: I don't believe it!

Quote From Today... Operation Petticoat (1959)

"Well, I like to think we can, but then, I'm an incurable optimist."

With Tony Curtis.

Operation Petticoat was Cary Grant's 67th full length feature film.

Operation Petticoat (1959)

Lt. Nicholas Holden: The scuttlebutt is that we're going to try to submerge at daybreak, and I figured if you've got to go, you might as well go big.

Lt. Cmdr. Matt T. Sherman: Mr. Holden, it's past daybreak, and we are submerged.

Lt. Nicholas Holden: We are?

Lt. Cmdr. Matt T. Sherman: We are.

Lt. Nicholas Holden: You mean, we're under?

Lt. Cmdr. Matt T. Sherman: Yes.

Lt. Nicholas Holden: Well, it isn't a permanent situation, er... What I'm trying to say is, I mean, we can come up if we like to.

Lt. Cmdr. Matt T. Sherman: Well, I like to think we can, but then, I'm an incurable optimist.

Lt. Nicholas Holden: What happens, sir, if we, er... What happens if we can't...?

[he motions upward]

Lt. Cmdr. Matt T. Sherman: Oh, well, if we can't, er...

[he motions upward]

Lt. Cmdr. Matt T. Sherman: ..., then, we, er...

[he motions downward]

Quote From Today... Once Upon a Honeymoon (1942)

"You're looking at a contented man."

With Ginger Rogers.

Once Upon a Honeymoon was Cary Grant's 42nd full length feature film.

Patrick 'Pat' O'Toole: You're looking at a contented man.

Katie O'Hara Von Luber, aka Katherine Butt-Smith: Why?

Patrick 'Pat' O'Toole: Well, you have to go back a long way to explain that. Yeah, I'd have to go back to when destiny threw us together. I was attracted, but, so differently. I was attracted more or less by, eh...

Katie O'Hara Von Luber, aka Katherine Butt-Smith: By, eh, my measurements?

Patrick 'Pat' O'Toole: That's the idea. That's it. Yes, yes. You were lovely of form and face. But, I had the feeling that if a gnat dove into your pool of knowledge, he'd a broken his neck. But, then I found out there was more to you.

Quote From Today... Houseboat (1958)

"You are looking at her!"

With Sophia Loren

Houseboat was Cary Grant's 65th full-length feature film.

Cinzia Zaccardi: Where is their mother?

Tom Winters: What did you say?

Cinzia Zaccardi: Their mother?

Tom Winters: You are looking at her. I'm a little new at the job.

Quote From Today... Suspicion (1941)

"Work?"

With Joan Fontaine.

Suspicion was Cary Grant's 40th full-length feature film.

Suspicion (1941)

Lina: There's going to be no more borrowing.

Johnnie: What else is there to do?

Lina: You've got to go to work.

Johnnie: Work?

Quote From Today... The Bishop's Wife (1947)

"Tell the world you're being visited by an angel? You can't do that."

With David Niven.

The Bishop's Wife was Cary Grant's 51st full-length feature film.

Dudley: You have some problems with the building of this cathedral, haven't you?

Henry Brougham: Yes.

Dudley: It's a fine cathedral. Ought to look magnificent up there on the top of Sanctuary Hill. Well, Henry, do you believe I am what I say I am?

Henry Brougham: Well, how can I? I've only got your word for it.

Dudley: But you're a bishop. You, of all people, can trust the word of an angel.

Henry Brougham: I'd like to. What do you... What do you propose to do? Perform a miracle?

Dudley: If necessary.

Henry Brougham: Well, why don't you? Why don't you create the cathedral with one wave of your hand?

Dudley: You wouldn't want me to do that, would you? How would you explain it?

Henry Brougham: Well, I...

Dudley: Tell the world you're being visited by an angel? You can't do that.

The Cary Grant Collection: Part 1 - Biographies.

 “To write an autobiography, you’ve got to expose other people. I hope to get out of this world as gracefully as possible, without embarrassing anyone.”

“I have no plans to write an autobiography, I will leave that to others. I’m sure they will turn me into a homosexual or a Nazi spy or something else.”

Cary Grant never wrote an autobiography, quite simply for the reasons he himself expresses in the quotes above.

The closest he came was writing a three-part article for The Ladies Home Journal, entitled 'Archie Leach'

(January/February 1963 (Part 1), March 1963 (Part 2), April 1963 (Part 3))

Maybe because of this, so many other people wrote about him.

Some, trying to get to the truth of how Archie Leach became Cary Grant, and others just repeating unfounded rumors and gossip.

But as a complete body of works...all add something to the story of a boy from a working-class upbringing in Bristol, who became one of, if not the greatest Hollywood Star ever.

Below are listed the biographies that grace my collection - The Cary Grant Collection.

(I have listed them in date order and scaled the pictures to give an idea of how the books compare to each other in size)

Cary Grant: An Unauthorized Biography by Albert Govoni (1971)

Back Cover

Ian Allan Film Albums - 3: Cary Grant (1971)

Back Cover

The Pictorial Treasury of Film Stars - Cary Grant by Jerry Vermilye  (1973)

Back Cover

The Films of Cary Grant by Donald Deschner (1973)
Introduction by Charles Chaplin

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The Life and Loves of Cary Grant - A Biography by Lee Guthrie (1977)

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In The Spotlight - Cary Grant by Gallery Press (1980)

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Cary Grant: The Light Touch by Lionel Godfrey (1981)

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Cary Grant: A Celebration by Richard Schickel (1983)

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Cary Grant: Haunted Idol by Geoffrey Wansell (1983)

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The Private Cary Grant by William Currie McIntosh ans William Weaver (1983)

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Cary Grant by Jean-Jacques Dupuis (1984)

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Cary Grant by Chuck Ashman and Pamela Trescott (1986)

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Cary Grant: A Touch of Elegance by Warren G. Harris (1987) 

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Cary Grant by Pamela Trescott (1987)

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An Affair to Remember: My Life With Cary Grant by Maureen Donaldson and William Royce (1989)

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Cary Grant: The Lonely Heart by Charles Higham and Roy Moseley (1989)

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Cary Grant: A Portrait in His Own Words and by Those Who Knew Him Best by Nancy Nelson (1991)
Foreword by Barbara and Jennifer Grant.

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Cary Grant: Dark Angel by Geoffrey Wansell (1996)

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Cary Grant: A Class Apart by Graham MaCann (1997)
Hardback

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Cary Grant: A Class Apart by Graham MaCann (1997)
Paperback

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Legends: Cary Grant by Richard Schickel (1998)

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Cary Grant: A Life in Pictures by Jerry Curtis (1998)

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Cary Grant: In Name Only by Gary Morecombe and  Martin Sterling (2003)
Foreword by Sheridan Morley

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Evenings With Cary Grant: Recollections in His Own Words and by Those Who Knew Him Best by Nancy Nelson (2003)
New Foreword by Barbara and Jennifer Grant

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Cary Grant: A Biography by Marc Eliot (2004)

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Cary Grant: The Wizard of Beverly Grove by Bill Royce (2006)

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Cary Grant: A Celebration of Style by Richard Torregrossa (2006)
Foreword by Giorgio Armani
Afterword by Michael Kors

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Movie Icons: Grant by Taschen (2007)

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Dear Cary: My Life with Cary Grant by Dyan Cannon (2011)

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Good Stuff: A Reminiscence of My Father, Cary Grant by Jennifer Grant (2011)

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Cary Grant: A Life in Picture by Pavilion (2011)

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How to Become Cary Grant: A Remarkable Life in Quotes and Remembrances by Horace Martin Woodhouse (2013) 

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Cary Grant Movie Poster Book: Special edition by Greg Lenburg (2016) 

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Cary Grant: A Brilliant Disguise by Scott Eyman (2020)

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Cary Grant: The Making of a Hollywood Legend by Mark Glancy (2020)

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American Legends: The Life of Cary Grant by Charles River Editors (?)

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Etre Cary Grant (To Be Cary Grant) by Martine Reid (2021)

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Some Versions of Cary Grant by James Naremore (2022)

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Listed below are writers who have put their name to more then one Cary Grant Biography:

Cary Grant by Chuck Ashman and Pamela Trescott (1986)

Cary Grant by Pamela Trescott (1987)

Cary Grant: Haunted Idol by Geoffrey Wansell (1983)

Cary Grant: Dark Angel by Geoffrey Wansell (1996)

An Affair to Remember: My Life With Cary Grant by Maureen Donaldson and William Royce (1989)

Cary Grant: The Wizard of Beverly Grove by Bill Royce (2006)

Cary Grant: A Portrait in His Own Words and by Those Who Knew Him Best by Nancy Nelson (1991)
Foreword by Barbara and Jennifer Grant.

Evenings With Cary Grant: Recollections in His Own Words and by Those Who Knew Him Best by Nancy Nelson (2003)

New Foreword by Barbara and Jennifer Grant

The Cary Grant Collection - 2022